With the growing cult who have earned during the 90s, could be normal to try to scrape the bottom of the barrel. In fact, the publication of this pseudo-live arose from a long period of conflict between Dinger and Rother, compounded by the fact that in those years the three original historical records were reissued by the phantom German- label specializing in pirate bootleg ( and here's why I bought Neu! 1972 not understand why there were no SIAE, missing information, we had fallen too, but there was no alternative at the time if they wanted to hear!). So Dinger, prey to a spirit of retaliation made by publishing the Japanese Captain Trip Neu '86 and this here, and Rother are angry even more. That said, it must be said that '72 Live in Dusseldorf is a very unusual episode. This is not live, but a private session and two with improvisations by Eberhard Kranemann (another character on those difficult to categorize, complete artist that will transit after for a short time even in Kraftwerk, as well as in Nurse With Wound), here involved a strange electric slide-banjo and bass.
The audio quality is extremely poor, and it is conceivable that the average fan of Neu! none are found almost nothing attractive. There are shots of the first album, there is a 40-minute jam of minimalism in which wild maybe find some creative ideas, but instead ends up being the delirium freakedelico dell'ingombrante Kranemann. There is titled Silence, that begins with a litany of disturbing and goes with the typical rate Dinger, eventually faded, however, to be a copy of Hallogallo. almost inevitably ends with a blues unstructured inconclusive, whose most interesting moment, ironically, is that the final feedback. Rother
easy to see why it was not just enthusiastic about the publication. Not that this should be to diminish the importance of Neu!, But it is a document quite dispensable, as well as the decision of the fact that Kranemann could never work.
Neu! '72 Live in Dusseldorf (1996)
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