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Giovanni Sollima and ITS WONDERFUL CURIOSITY 'CREATIVE AND

Giovanni Sollima. A name that sometimes I echoed in my ears. I knew it was a cellist, but not much more. I had heard some hasty passage from a cd, but I had left little of his music. It was not enough to give it a meaning. So last December 12 I went to listen to the concert "We were trees" at the Theatre Building on Gallarate albeit with a little 'fear. I do not deny I was afraid of being in front of a Giovanni Allevi cello.
Instead, I was absolutely stunned by his music.
The project which saw him accompanied by Kaleidoskop Solistenensemble, a group of young and highly trained musicians, mostly Germans. Most have had less than 25 years. Only bows, six violins, two violas, two cellos and a bass, directed by Julian Kuerti. Sollima
Besides, as another solo cello, one of the equally surprising Monika Leskovar.
There are several things that left me completely amazed at this concert.
First of all, the ability composition of Sollima that seems to have really found a point union not only of different musical genres, but especially of different cultures and arts. A melting pot that overwhelms you and where it is clear that commingling is not synonymous with fashion. In Sollima come and go from one genre to another is never pretentious or forced as often happens very often. His music makes us feel really third millennium of music where the great tradition of classical composition is combined with ethnic music and the repetition of certain forms of minimalism of the last century are the inspiration for inventions that go hand in hand with the rock. There
virtuosity on Arabian melodies and then to check the echoes of the Beatles a pop.
And all presented with sincerity. As I listened Sollima, that if enjoyed on the stage with her music, I was striking his musical training. So
through his music seemed to always know the musician. To see him in his room while studying to be a kid. On one side of the vinyl and other Rostropovich CDs Emerson, Lake and Palmer or Traffic. Classical studies, the composition but also the love for other music. Maybe too many internal conflicts against the rigidity of the classical music world who still attended with success and talent.
A man in her life have always been curious about all forms of culture: from the English punk to jazz. In addition to the compositional side
hit me no doubt that the fact that instrumental musician is really good. Not much to say. I, for years I have emotions in the air of the Latvian Mischa Maiski sure, but without comparisons, which are not capable of doing, our Sollima I did not have regrets. In his virtuosity did not seem no end to itself. Reaches the audience leaving the redundancy, the vision circernse, the boredom of those welcoming him play.
third element that fascinated me in this concert is that Sollima take the side of him and another great virtuoso cellist, but not to race and show the public how good they are or even to show that she is good, but he did more. The goal that shines is just to make music to excite and thrill: How Cannombal and Trane in the sextet of Miles' Kind of Blue. " Fourth
and then you, otherwise it seems that Sollima is my cousin (actually I have not really even had the pleasure of knowing - because after concerts, so the words are useless) is that it is able to transmit positive young musicians who play with him . There is concentration but smiles, laughter and a charming carriage. All this thanks to the energy of the ensemble director. All very true. Rare in these times.
As you know I'm not a music critic, but only a musician who only occasionally to write their impressions on this blog, but if you happen, as can be worth my suggestion, go to listen to this project by Giovanni Sollima live.

Happy New Year to all
Max De Aloe


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ALLEVI MEETS Uto Ughi Uto Ughi

Hello everyone, yesterday La Stampa of Turin has published the response to Giovanni Allevi Uto Ughi. Since I put the article in the master Uto Ughi, it seems correct to me also that of the master Giovanni Allevi. And then I just broke! Peace and good





"Dear Ughi, she defends
only her chastity "


replication Allevi the violinist:" From him a blind and violent attack "by Giovanni Allevi

ROME
I came from the Senate at 15.30, with a red tie in his pocket. I gave it a child, who came with his parents to attend the concert, "Keep it John, is yours. I put it to you, for the first time in my life." Outside, to my great surprise, I found a large crowd gathered in front Palazzo Madama, to greet me and the symphonic orchestra player. Here, Maestro Ughi, these are the indelible images that will remain written in my heart, inseparably linked to that concert. Now, on this table, there a crumpled piece of paper with an autograph on. Certainly, in recent years I have had the honor to sign so many. But what I have here with me, I wanted myself. It is the only autograph I ever asked an artist. That evening a decade ago, I returned to my studio to a packed room of Verdi Conservatory in Milan, with that piece of paper in his pocket, like a jewel. It was not easy to reach even the artist's dressing room for a nobody like me, an anonymous student in Composition. I had no influential friends, barely reached the end of the month, they face great sacrifices to graduate in composition and concert ticket I had paid. But now I had the autograph of one of the most talented violinists in the world: you, Maestro Ughi.

How could he do this to me? How did he spit on me so much poison, the very day of Christmas Eve? Do you feel offended, and for what? How does a music to attack, if it is written and played with all your soul? Instrumental music without words? According to her, I would not be worthy of being admitted to the Conservatory. In fact I have spent my best years preparing to become, with care, commitment and passion, a composer of contemporary music. They graduated in piano with 10/10. Graduated with honors in composition. I posted my musical scores. I'm a Doctor of Philosophy, graduated with honors and I published my writings. The world of classical music is sick. She is one of the few who managed to live as a protagonist, but maybe not imagine what it's like studying a musical instrument for years and years to come, yes and no, to teach in a private school.

And so, to divide the pie of power in music are few, a caste, engaged in perpetrating his own conception of art and their lives. It is made up of a lobby of power protectors and protected, hidden in the rooms of buildings inaccessible to many. Caste shows the same warning: "People are ignorant, we are the true keepers of culture." But in the halls of the Conservatory, by analyzing the scores of the greats of the past, and comforted by the thought of Hegel's Phenomenology, I gained the conviction that every age is entitled to his music. Why force the public of our time to deal only works conceived centuries ago, and thus losing the opportunity to create a new music, true expression of our times, it is a rigorous development of the European classical tradition? The music called "contemporary" twelve-tone and atonal, in any case is no longer such, because expression of lacerations that agitated Europe in days gone by. Here then is my visionary project. You need a creative effort to the mountain, rather than insisting only on musical education, laying the foundations for a new contemporary music, fetching the deep contact with people. I tried this with my scores and my writings. It was necessary.

It took another ten years, more than twenty studies, and the result, not at all obvious, was explosive: the public, especially young, came to my concerts, with solo piano or symphony orchestra, as if they were events rock, Rome and Milan as well as Beijing, New York and Tokyo. That music speaks to the heart but her rhythmic virtuosity and above all requires a very talented performers. It is a classical music that can not be separated from the score written and rejects any contamination, with the words, images, with musical instruments and forms that are not typical of the classical tradition. Hundreds of young people who write to me, on my example, I entered the Conservatory to study an instrument or take the path of creative composition. As history teaches Aesthetics music, in all ages every new idea has struggled to assert itself, then became, paradoxically, the "rule" for posterity. What is certain is that when the new advance is always fear. As a lover of Hegel, then, I knew that the new wave of crisis would send in the old system and the caste of priests, with their followers, unable to acknowledge no paternity at me, they would have implemented a criminal As ruthless work of «Allevi crucifixion." "His success offends me ...»," The compositions are musically ...», laughable "It is a dwarf ...», but taken more seriously circulating is" Allevi advantage of the ignorance of people, through a clever marketing operation. " Far from it! My music is classical, because it uses the language of culture, whose mastery is the result of years of academic study. My music is new because it has that flavor, that feeling today, that no musician of the past could have imagined.

"Every morning when the sun rises, it starts a day that did not yet no one ever lived, "says the theologian David Maria Turoldo. Mine is not a pop, why not provide for any singer, no electric guitar and drums and does not use the oral tradition, or a simplified writing as a means of propagation. There is no plot, it is absolutely clean and pure: the people have voluntarily chosen to follow. But we must stop ignoring the people to believe "common". The audience he addressed in the eighteenth century Mozart was perhaps the most cultured of our own? Not in Italy there were many students of music as in these times. If my music had bothered, you could simply change the channel. Instead, it gave a very personal opinion, it was decided to erect a symbol of a wounded world, violent and blind.

I'm not a cocky, if anything, a dreamer, and my music, along with my aesthetic intuitions, they never wanted to offend anyone. I, unlike you, I do not hold any institutional role, I did not call any festival in my name, I do not have any power in the so-called "world music", yet you accuse me of being in a place, the heart of hundreds of thousands of people, where others would be. In the light of his words, it seems paradoxical that she is President of "Uto Ughi per youth." The great Segovia said: "Young composers have made my fortune, I will them." Instead she chose the easy way obstruction, from its acclaimed reputation. That his autograph that I have always jealously guarded after so many years for me now does not count anymore.

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VERSUS JOHN ALLEVI

Hello everyone. Carryover for the entire interview with the great violinist Uto Ughi output "La Stampa" of Wednesday, December 24, 2008. Uto Ughi
Our light went there. And fans of the pianist who curled up during panic attacks have not hurt. It 's only envy. Uto Ughi also would like the curls so :-)

Uto Ughi "The success of breeding? Offends me"


"conceited and never original"
Sandro Cappelletto

That depressing sight! See the highest authorities of the State cheer this modest musician. The most ridiculous was Mr Fini was nearly throw himself on his knees before the movie star. " Uto Ughi not too appreciated the Christmas concert sponsored by the Senate, which had as its protagonist, the pianist Giovanni Allevi. Our violinist was heard - "to the end, in disbelief" - from his home in Busto Arsizio and they have been "offended as a musician. Pianist? But he also believes composer, philosopher, poet, writer. The thing that bothers me is the media that the investment was made on an original interpreter never and entirely devoid of humility. Its success is the perfect thermometer of the situation of our country, always prevail appearances. "

What bothers the most Allevi: his music, his words? "The compositions are laughable, and musically this modesty of the results is accompanied by statements that highlight the alleged originality of the interpreter. If mention of the great pianists of the past, he does point out that unlike them he is "also" a composer. So the offense really great interpretations: he is a dwarf compared to Horowitz, a Rubinstein. But even with respect to Modugno and Mina. That should be clear. " How

define his music? "cunningly put together a collage. Nothing new. Its success is a consequence of the triumph of relativism: the science of anything, as written by Claudio Magris. But we must not tire to point out that Beethoven is not Sugar and Sugar is not Beethoven. But Sugar has a personality much more recognizable than that of raising ".

There is more pain than anger in his words . "It pains me greatly that pollution of the truth and taste. I find that the guilty state institutions avvalorino such a misunderstanding. Clearly, the music consultant of the Senate are people of little thickness. All returns: it is also modestly art and culture of those who run some of our opera, our music and entertainment associations to allow the scary cutting culture content in the last measures of the government. Weak actors can make any mess, have blunt weapons to combat it. "

Allevi What do you think of as a performer? "In other times would not have been admitted to the Conservatory."

He considers himself an heir and a profound innovator of the classical tradition. "He has no degree of kinship with the music we call classical, with neither the old nor the new. This is a misconception intolerable. And even in his field, there are pianists, singers, instrumentalists, composers far more important to him. "

But it's a media phenomenon and the very significant business. "This is an exaltation and collective acts paroxysmal behind which is clearly a strong marketing investment. I am surprised that newspapers authoritative grant him space, often uncritically. Even Andrea Bocelli has a great success, but never conceited when he talks about himself. As a musician, knows his limits. "

Allevi is young. Unwilling to provide any advice? 'Think three times before speaking. Be humble and cautious. But perhaps not even the real culprit of what he says. "

There is an almost messianic in some of his statements in this autoinvestitura about their role in the future of music. "He is considered a prophet of the new music really speaks as it were. New? But for pleasure. "

But how to interpret this obscure his message: "My music will have the same impact on classical music that Islam is having on western civilization?" "Apparently he thinks that Islam will win Allevi. Please, no drink this nonsense. "

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Very long pause I know, but my life in recent times has suffered some kind of a jerk ... rude awakening from a deep sleep that lasted too long, which caused crashes, noise and uncertainty . Amid the rubble and fallen objects by looking up the pieces back together and hope to find something whole.

Soon I will return to speak to Tsukiji and okonomiaki, I hope you write like this ... Meanwhile

look like a pouting child, a ray of sunshine that warms my face ...