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LYRIC MAGIC




Dear friends who frequent the blog, today October 2 hits the shelves on my new CD entitled "Lyrical Enchantment." It 'a tribute to some opera arias by Puccini, Verdi and Leoncavallo played in my way to "feel" and the wonderful companions of this journey Roberto Olzer music are the piano, bass and Marco Mistrangelo Foreign Nicola on drums.

Paolo Fresu gave us the wonderful liner notes that in addition to the cd also found below.
I hope you to listen to "Lirico Incanto" or to see some of our concerts.
On my new site will also find the dates of various radio interviews and concerts broadcast.
Good Music, max








LINER NOTES FOR LYRIC MAGIC - edited by Paolo Fresu

For several years the Italian jazz wonders about his identity and translates this curiosity in music quality. Questions are asked more often about what should be the relationship between modernity and tradition and that sense of a current jazz that needs to be dynamic and constantly moving.
not hard to find in the rest of our cultural heritage and musical vital food to feed the ravenous need for stimulation and are increasingly convinced that the success of Italian jazz abroad derives from his ability to relate to the repertoire of its own history that, compared to other European nations, is much richer and diverse.
Certainly the work is a long-standing tradition that is also expressed at last, out of the untouchables. If the opera houses seem to be impregnable strongholds of the supports of home videos, numerous magazines and some artists have helped to restore the Opera House illuminated the idea that this incarnation of the popular a few centuries ago and that seems to be very close to way that jazz was born in the twenties - also as a popular expression - then becoming elitist art to regain its original character today.
could reflect at length on the historical and cultural connections of these two languages \u200b\u200bseem far apart but it turns out that after all the common points are many.
early nineteenth century the Italian musical tradition was strongly influenced airs virtuoso singers and it is thanks to what is developed which reinforces the ethnic music that common place of Italy as a land of Belcanto.
If it is true that the early jazz musicians were of Italian origin is also true that Bix Beiderbecke seems to have been very attracted to the whole operatic music as well as several of his colleagues then. If this music was born and developed in America through the clash of African rhythms with European melodies, this is certainly one coming from the band tradition. That the brass and woodwinds that reinterpreted in their own way those tunes that have already spoken. The child is then
jazz opera? Maybe not completely but it is certain that relations between the two languages \u200b\u200bare many.
Treat the operatic repertoire today is not so strange though it may be complex. The intriguing operation done by Max De Aloe is not new but it is so new and interesting way in which the harp is close to this subject matter with care and respect. In
LYRIC MAGIC themes are done with that approach philological which highlights the dramatic and the strictness with which amplifies the harmonic and melodic quality without compromising the delicate relationship between writing and improvisation.
This is a real jazz record and as such the ambition to want to change the original form of music could be strong. Max De Aloe vice versa has realized that jazz and opera are bound by that thin thread of history and culture, migration and language that united the continents well before the trumpets and saxophones invaded the streets of New Orleans. For this reason, together with colleagues in this wonderful musical journey, took in the beautiful melodies of Leoncavallo, Verdi and Puccini, the essence of music he wants, as always has been, speak to the world of humanity alive and dynamic. Humanity that has brought the music outside the Italian borders and that today refers to the position of echoes and reverberations across the Atlantic. LYRICAL CHARM
music is clear as air. Music and fine cohesive knows of lyricism and melody. The same as that from a few hundred years is beautifully what we are beyond genres and styles.

Paolo Fresu
Dunkirk, April 2008

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GALLARATE JAZZ FESTIVAL 2008





It could be called a festival suspended between tradition and innovation that we make in six years with passion and Gallarate respect for the music, jazz, which boasts a fascinating history of nearly a century but at the same time has in its DNA experimentation, innovation and design. The desire to take risks and contamination of different musical genres is the element primary and vital part of this jazz festival and wants to reward his courage art. A program then that will not turn to "experts" but who has the ambition to involve newcomers and attract a new audience to this wonderful music.
The opening of this sixth edition, Friday, October 10, 2008, will be given to one of the greatest contemporary jazz musicians: the British pianist John Taylor. For years considered among the most important pianists in the world, John Taylor will give us a concert with the Italian singer Diana Torto, for some years now considered by critics one of the most interesting jazz singers of the European scene.
John Taylor began his career in the late sixties playing with John Surman and then becoming one of the leading exponents of the record label ECM, perhaps the most noble of jazz label in the world. His name is linked in the years musicians such as Norma Winstone, Kenny Wheeler, Ralph Towner, Jan Garbarek, Enrico Rava, Gil Evans, Lee Konitz, Charlie Mariano, Miroslav Vitous and many others.
But the presence of prestigious John Taylor at this festival will not be relegated to the evening concert in the afternoon but the pianist will give a free seminar open to all musicians who want to participate (enrollment procedures to follow).
The evening will continue on Friday with a concert by Enzo Favata, Daniele Di Bonaventura and UT Gandhi. Three wonderful and successful Italian jazz musicians in this their project titled Inner Roads will combine jazz and roots to the mood of the music of the Mediterranean. Sophisticated and intelligent performers improvising these three artists are moving to ease between acoustic and electronic improvisation between radical and never predictable melodic structures, demonstrating a musical maturity and a stylistic has already placed the trio in an international dimension.
Saturday, October 11, 2008, as is the tradition of Gallarate Jazz Festival, the morning is devoted to the city high school students with a new production created especially for them. The show, music and video, entitled The Path to x, is created by percussionist and teacher Massimiliano Varotto, the filmmaker Alessandro Leone percussion ensemble Compound Damage. The double
evening concert will feature the Martha marvels Quartet, a young quartet of the Roman province of their first recording titled Spiral Tales. A high-quality music can surprise, proving that the smooth jazz does not bind only to the usual and necessary and noble names.
A follow one of the most fascinating projects that today in Italy, the nonet headed by Ferdinand drummer Faraò inspired by the charismatic figure and work of American painter Jackson Pollock. For this project was the drummer in Milan sought the collaboration of some of the most talented Italian jazz musicians with a band on stage that will see two basses, two trumpets, two trombones and two saxophones.
"The music of this new project - says Fara - was born from the desire to create a sort of" sound painting "that took inspiration from the art of Pollock and, in particular from the current avant-garde since the 40s of the last century developed a new way of painting within the painting informal American who took the name of "action painting".
Saturday, the music will end only at night because at the end of the concerts will begin in the Teatro Condominio Vittorio Gassman a jam session open to all musicians and of course the public as a night owl and curious. This is to be aware that, on one hand a festival has an obligation to reward established musical projects, on the other must carry on a tradition that sees jazz jam session at the impromptu meeting between the musicians and free. A moment of music together on the same stage that will see established musicians and younger and less experienced colleagues.

Sunday, October 12, 2008 at 11:00 am traditional concert at the Gallery of Modern Art in Gallarate, a duo that sees the Curris with guitarist Albert Hammond Luciano Zadro, jazz musician pride of our province recognized in Europe and elsewhere. An enjoyable concert by the highest standards known to jazz fans.
In the evening, on stage at the Teatro Condominio Vittorio Gassman, a small space will be devoted to the history of the Jazz Club of Gallarate that among the early seventies el'inzio Gallarate eighties led to big international names in jazz like Chet Baker, Gerry Mulligan , Art Blakey & the Jazz Messengers, Ahmad Jamal, Kay Winding, Mingus Dynasty, and so on.
will close the festival a tribute to the great Chet Baker, on the twentieth anniversary of his death. On stage, the quartet of singer Anna Maria Castelli Tuscan accompanied by Simone Guiducci, one of the most fascinating and original guitarists of our jazz, and Caramel Leotta bass. To trumpet a true champion of the instrument, the American Kyle Gregory, known for his collaborations alongside international music superstars such as Liza Minnelli, The Temptations, JJ Johnson and Bob Mintzer.
a prestigious photographic exhibition by Roberto Cifarelli, among the best known photographers of jazz events in Italy. Original mode will also use the show as the pictures of this artist (known for making pictures for live events and CD of the most important jazz musicians the world) will videoproiettate in the beginning of a room every night of the festival.
The Concert Friday, October 10 will be opened by the projection exhibition entitled 5 years 27 concerts ..... 99 images dedicated to the history of Gallarate Jazz Festival. The next two evenings will respectively present the exhibit "The musicians are heard and to finish outside of the stage. Max De Aloe




° The frequency of John Taylor at the seminar is free and open to all musicians of all levels, age and instrument. Those interested should register beforehand by simply sending a mail with your personal details and your phone number to info@centroespressionemusicale.com within the 'October 8, 2008.



THEATRE BUILDING Vittorio Gassman
GALLLARATE JAZZ FESTIVAL - Fifth Edition

Home concerts at 21.30 - Admission € 5.00 - subscription for the three nights
€ 12.00


by the City of Gallarate - Department of Culture
related events and technical coordination - Cultural Foundation "1860 Gallarate City"
Art Direction : Expression Music Center - Gallarate



FRIDAY 'October 10, 2008

17.00 - Teatro Condominio Vittorio Gassman
SEMINAR WITH JOHN TAYLOR
Open to all instrumentalists (free subscription)


21.30 - Teatro Condominio Vittorio Gassman

DIANA WRONG JOHN TAYLOR DUO
Diana Wrong item
John Taylor piano


INNER ROADS
Enzo Favata, Daniele Di Bonaventura, UT GANDHI
Enzo Favata sax soprano and tenor saxophones, bass clarinet, duduk mohozenho, benas, live electronics
Daniele Di Bonaventura bandoneon, piano, live electronics
UT Gandhi drums, samplers, live electronics


Saturday, October 11, 2008

10.30 - Teatro Condominio Vittorio Gassman

"The Path to X"
Entertainment music video ensemble rhythmic Damage
Compound Massimiliano Varotto musical direction
Alessandro Leone video director
Reserved
school students Supreme Gallarate

21.30 - Teatro Condominio Vittorio Gassman


MARTA Marta marvels marvels QUARTET

voice - piano phrase sampler
Simone Sbarzella
Stefano Alessio Sbarzella
Cantarano bass drums




FERDINAND WILL "POLLOCKSUITE" NONET

Giulio Martino tenor and soprano sax
Germano Zenga - Luca Calabrese
soprano trumpet and flugel horn
Michele Falzone John
Welcome
trombone Beppe Caruso trombone
Yuri Goloubev bass
Tito Mangialajo Rantzer bass
Ferdinand Faraò battery

00:30 am - reduced by Teatro Condominio Vittorio Gassman

"'Round Midnight Jazz Jam' Jam Session
At the end of concerts in the foyer of the theater




Sunday, October 12, 2008 11:00 am - Galleria d'Arte Moderna
(Viale Milano, 21 - Gallarate)

Zadra - Curris DUO
Luciano Zadro guitar
Curris Albert Hammond organ

21.30 - Teatro Condominio Vittorio Gassman


ANNAMARIA
CASTELLI QUARTET presents "Chet"
A tribute to the great Chet Baker on the twentieth anniversary of his death

Anna Maria Castelli voice
Kyle Gregory Simone Guiducci guitar trumpet
Carmelo Leotta
bass


In the three evenings of the festival opening concert with video projection of photographs by Roberto Cifarelli


Evening concerts at the Teatro Condominio Vittorio Gassman 21.30 - admission € 5.00 - abbonanento for the three nights € 12.00 - All other events are free admission