obscure New York band that recorded a couple of records for the Triple X and other offal at the turn of the '90s. Their approach to the current noise-rock was rather oblique, and not a little personal. The first training was also the drummer Parsons, but it does not appear in this episode, since it was passed on to Prong, in hindsight, the move was guessed from the commercial point of view. However, the two founders (Kizys singer / guitarist, bassist and the Master) did not lose heart, and continued to press gave this debut for the long haul. The sound is deafening and BPBP almost numbing as that of Pinball Gone fishin ', but is distinguished for better finishing, zero-Gothic industrial punk and blunders. The new drummer was noticed for a Huthins tribalism insisted on toms and drums, the song of angry roar Kizys was divided between a shake and androgynous often voiced by a female voice.
OCAK effects that were aimed at achieving different; percussive white terror ( The Reign, Snake, Crawl), catatonia funeral ( Of Service, Land of '57 Chevy, Locked in position), estrangement irreverent (the cover the traditional John Barleycorn Must Die), approached with a sense of perpetual buzz lascivious .
In between, check for reaction with the rest of the litany of sectarian voice, body and sketches of the violin Crawl again, that holds maybe 20 years after the passage of time better, ironically. They stayed in a vague middle ground (not very restrictive for the inheritors of the Swans, too down for noise), they did the last act Hunter's moon and broke up two years later.
Of Cabbages And Kings - Basic Pain Basic Pleasure (1990)
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