Cold Weather Barefoot

Pain Teens - Destroy me lover (1993)

Texas early '90s, then as Trance Syndicate penalty. The Pain Teens know I had them lit when the brilliant Max Prestia the first tranche of Stereonotte Rai, and they were a duo composed of singer and guitarist Bliss Blood Ayers.
not joking somewhat in terms of social perversion and meanness, and varied between noise, psychedelia, noise and pop diverted. The Blood had an icy tone, almost detached in his cold, while Ayers was put on display with a nice rifferama obsessive (excellent initial Cool Your Power). There are ranges of compositions 3-4 Destroy me Lover: tracked the Industrial Chrome more weights ( Tar Pit, Body Memory ) chaos-industrial noise with cut-up vocal extra ( Shock Treatment, Sexual Anorexia) the compactness of the gritty pieces conventionally Trance Syndicate ( Dominant Man, Lisa Knew) and the variant semi-acoustic ( prowling, the exquisite pastoral The Story of Isaac). A variety that contributed to the overall success of the disc, even with the inclusion of a piece as blatantly pop RU 486. What But, strangely, talking about the abortion pill.
love that destroys, therefore.

Pain Teens - Destroy Me Lover (1993)

How Long Can You Live With Bowel Obstruction

Oxes - Oxes (2000)

Trio Baltimore, now dean of math-rock muscular, but rich in variations. That must be the crazy Oxes, as one might guess from their appearance, as well as for the legends relating to their concerts, which often take the form of intimidation shows.

This was their debut for the long haul and is a volcano of power and acumen. Two guitars and drums, no bass and very good technique for a focused convoluted and twisted. DonCaballeriani rocky steps, hard-metal joints, wall of sound of white noise, rough sound of short spectral paresis Louisville, even some bucolic painful time (the final I'm From Hell), are the essential elements of an intricate album that requires several steps to be treated, but not a little something for fans of the genre.

Oxes - Oxes (2000)

Gay Cruising In B C Canada

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Clipart/ Funeral/ Cross

Oxbow - Song for the French (2009)

we needed, a live album of the Oxbow.
descriptions are needed more or less accurate to describe them? I can not find much, except to argue that this is a band original, inimitable, creativity and talent overflowing. And extraordinarily long without losing an ounce of its energy, but not too productive. A
live to tell the truth was clearly present visually on DVD Love that's last in 2006, but this does nothing more than food my hope to see you live one day essendomeli lost a couple of years ago. Meanwhile this limited edition tour-only fools at least wait for a new chapter that I hope will not wait too long after the show Narcotic Story .
A 12 "split into two parts: the first consisting of three unpublished, two on stage and in one study, in collaboration with the French cited in the title, the guitarist Heliogabale (to listen) Thiphaine, one used to handle even the jazz-improv. 2 PM and Coalking stories are unhealthy, shows the absurd, usually Cpt Robinson. Beefheart grew up in the ghetto, angry, troubled guitarist intent Wenner to dissect every detail of the remnant left alive-core blues, rhythm section with a confusing test of virtue (Davis will remain an amazing drummer).

The episode in the studio is a beautiful hike in the territories for classical acoustic, piano and percussion poor. It could also be a future direction, although reflecting some 'trends and Wenner Robinson when they performed in two. Alienating.
The B side instead pulls out a pokerissimo of Oxbow classics on stage, so: devastating power, intelligence and sarcasm savage excesses and elasticity. The extremely compact Frankly Frank, the lock without truce The Moon, the sprawled organized collective The Duke, and the grand finale with the recovery (from the first album of 1991) of Yoke , pure madness to the state animal.
After the applause of a few people, the inevitable destiny for a group so unique and solitary in its path.

Oxbow - Song for the French (2009)

Taste Of Cervical Fluid When Pregnant

Organum - Submission (1988)

This task diligently dressed ladies used the bow and aim to pass on a plate is David Jackman, a dean of English tests divided disturbing between ambient, industrial, and music concrete, with earnest intent of the avant-garde enough.
This 4-tracks was released United on the Diaries of Stapleton, which was also regular contributor. In some ways anticipates some 'tendencies of isolationism 90s (in fact end up working with Robert Hampson, who in the Main approaches more often to this type of sound) and lasts only 26 minutes.
coils phosphorescent Cowl squeaking violins seem crazy, with the growl of a trumpet dronic that comes and goes. The drone of industrial-disaster The Expelled has a devastating effect, a wall of sound flangerizzato of solemnity cavernosa.
Submission is a field-recording dish arches as in the photo, I guess. Jackman running outdoors, surrounded by twittering of birds, and a short distance you can hear cars honking and passing on the street. With its 18 minutes, renunciar is the obvious catalyst of the disc, also because it is the only one with the vaguest semblance of music: among sparse spectral breaths, chimes of bells and the usual dishes, is a long piece for flute and minimal reverb . In the final peeps a deep drone, and I should not wonder if Jackman in this case had recorded in a church or something similar.
A sub-mission is very evocative.

Organum - Submission (1988)

Pin Strokes In Elderly

Orb - U.F. Orb (1992)

And almost twenty years later, however, the first records of the Orb personally never cease to amaze me. What was initially conceived and designed as a music rest post-rave became a phenomenon in its own right and in fact it was the end.
Patterson and his impromptu team coined a new form of electronic blended with fantasy so many things: cosmic couriers, psychedelia, dub, techno-trance, musique concrete, ambient pioneer Eno. What I like best, even today, is the obvious irony and playfulness of these tracks, mesmerized and wanting to travel with the mind, but with an implicit sense of humor anything but English.
In this episode devoted to them permanently outside of Albion, I prefer environments less rhythmic and more trippy as OOBE (a nebula of sauerkraut synths, bleeps and flutes sand), Blue Room (suite underwater concrete to destabilize slashing), Towers of dub (the title says, but the approach was quite different from the standard).
A breath of fresh air "outside" ....

Orb - UF Orb (1992)

What Does Cervical Fluid Taste Like

Optic Eye - Trance (1992)

Nearly twenty years later, the English electronic goa rave party and it seems almost anti-Diluvian in his, shall we say, naive and even more in the sound, rooted in the 80s. Almost like a scene freakedelica adjacent, which in a sense represented the antithesis of technology.
The duo of Stephenson & Trower was a bit 'as a link between the two sides since this Trance came out on Stones Mystic, a small short-lived indie that was used to publish the psych-rock of bands like the big vintagistico Dead Flowers, the Mandragora, Strobe, and others. My affection but in this case is related to the usual story of Mental Hour, then 's optical eye takes on a more partisan.
It was full of techno-ambient percussion, African flavors ( Sunchant) accents indianeggianti ( Eye of India), the gauzy scenarios ( Trance dance), wave quasi-Gothic ( crsytal Moon) . It 'clear that the sounds are a bit' what they are, and aged plastic bad. But some ideas we had two good ones, mentioned in the pieces that are exactly half of the disc. Then forty minutes of dream-trance background there can also be ...

Optic Eye - Trance (1992)

Wayfarer Mark 1 For Sale

One Starving Day - Atlas Coelestis (2009)

really unusual that such a group is from Naples. The OSD is a quintet rather ambitious in terms of sound and construction, and implement a post-hardcore-metal fishing various junctures. The voice of the forest and the most violent explosions are quite reminiscent of Neurosis, but represent only a small part of this long roll.
The synth plays a very important role, at the same level if not more important than the guitar, is the true solo instrument of the group, the system provides the grain hard-prog that overflowing in several junctures (the passage of kingcrimsoniano Black Black) , as well as memories of the season ill-German 70s.
Coelestis Atlas is not a hard time passing unnoticed, and almost all the pieces are long, from 8 to 12, the compositions are articolatissime and twisted. If I move a few remarks, I would recommend better to OSD to condense their many ideas in a shorter form, as in Forest to try a few pieces with a normal voice, and do not always use the classic growling.
the long run, despite the excellent production and the variety of atmospheres, Atlas Coelestis esssere eventually dispersed so that some excellent passages are likely to remain buried under the massive amount of development.
short, you can only get better ....

One Starving Day - Coelestis Atlas (2009)

Av Receiver For Travel Trailer

One Dimensional Man - 1000 Doses of Love (2000)

Having recently happened to see them live, I could appreciate the qualities of the Venetians in order tangible, a compact and power-trio has Capovilla fierce roaring and incisive singer. So here's an opportunity to give them a chance to study after that years ago I listened to their records without a girlfriend that I would remain a pity to have changed virtually nothing about.
In the first half of the '90s, in Italy there was quite a handful Carbonaro of bands that had assimilated the American noise-rock and try to run their own version, with no results worthy of success and duration. Only a couple of these have survived; the Uzeda (but doing a disk every 10 years) and Larsen (who have admirably reinvented). Curiously
the ODM were born in 1996, then part of a hypothetical second generazioncina, but finally remained the most consistent and durable, with nearly 10 years of militancy, of course excluding the current reunion tour. Not that this is an objective merit; disk have always paid a debt for inspiring awesome Jesus Lizard (you could also mention the recent Cop Shoot Cop) without having neither spectacular nor the technical skills amazing.

So, noise-blues butchers without much imagination, only for close scholars of the genre. Better to see them live. Better
Theatre.

One Dimensional Man - 1000 Doses Of Love (2000)

Charlie Bowling Shirts

Old Time Relijun - Uterus and Fire (1999)

I saw them at the Link in 1998 or 1999, and found them confusing and unconstructive. On the other hand I was there to see Will Oldham and I was not prepared to put up with this wild and iconoclastic trio, very dependent on the frontman De Dionyso. Soon ended up on the cover of Blow Up, not a little incensed.
A truly unique performer, influenced by Captain Beefheart Nick Cave and the first use of the voice, dedicated to schitarrate crooked or raids sax man possessed, making up sketches schizophrenia, and obsessive monochrome. But also to be given great credit for Elvrum, really the ideal drummer for this kind of sound, not a case for following a path on their own, as the Microphones.
Now, listen, I appreciate it more definitely. The ravages of mini- Giant Boat, Jail, Hot oven, Casino, the highlights of the disc, such as punches hit in the stomach. The filter of post-punk blues atomic clogged, heart-rending scenes as Johnny Applecast Broken or bowl, a wire few tunes more accessible ( Archaeopteryx claw, close to some of the first things Grifters, voice included), complete the framework Uterus And Fire convinced me more than ten years away. What is called visceral.

Old Time Relijun - Uterus and Fire (1999)

Encouragement Letter For Confirmation

Of Cabbages And Kings - Basic Pain Basic Pleasure (1990)

obscure New York band that recorded a couple of records for the Triple X and other offal at the turn of the '90s. Their approach to the current noise-rock was rather oblique, and not a little personal. The first training was also the drummer Parsons, but it does not appear in this episode, since it was passed on to Prong, in hindsight, the move was guessed from the commercial point of view. However, the two founders (Kizys singer / guitarist, bassist and the Master) did not lose heart, and continued to press gave this debut for the long haul.
The sound is deafening and BPBP almost numbing as that of Pinball Gone fishin ', but is distinguished for better finishing, zero-Gothic industrial punk and blunders. The new drummer was noticed for a Huthins tribalism insisted on toms and drums, the song of angry roar Kizys was divided between a shake and androgynous often voiced by a female voice.
OCAK effects that were aimed at achieving different; percussive white terror ( The Reign, Snake, Crawl), catatonia funeral ( Of Service, Land of '57 Chevy, Locked in position), estrangement irreverent (the cover the traditional John Barleycorn Must Die), approached with a sense of perpetual buzz lascivious .
In between, check for reaction with the rest of the litany of sectarian voice, body and sketches of the violin Crawl again, that holds maybe 20 years after the passage of time better, ironically. They stayed in a vague middle ground (not very restrictive for the inheritors of the Swans, too down for noise), they did the last act Hunter's moon and broke up two years later.

Of Cabbages And Kings - Basic Pain Basic Pleasure (1990)